tag:blogger.com,1999:blog-4227147056022328879.post6717237308715080840..comments2023-09-06T12:09:10.114+01:00Comments on Mike.S Blogspot: Copper TestMikehttp://www.blogger.com/profile/14150282055890182869noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4227147056022328879.post-49852959809673762592014-04-01T22:15:47.118+01:002014-04-01T22:15:47.118+01:00also - when it comes to your more complex forms - ...also - when it comes to your more complex forms - like the sheep for example, don't forget to keep looking at actual carving references for the shaping and the 'logic' of these carved objects; think like a wood carving guy as you finesse your objects, as opposed to just a Maya guy - it's all about bringing that sense of materiality and 'thing-ness' to your assets.<br /><br />http://legacymedia.localworld.co.uk/275776/Article/images/16603294/4000850.png<br /><br />http://shard1.1stdibs.us.com/archivesE/upload/7971/24_13/035/035_l.JPG<br /><br />http://www.marymaycarving.com/blog/wp-content/uploads/2013/09/DSCN2811.jpg<br /><br />tutorphilhttps://www.blogger.com/profile/11842833126210822641noreply@blogger.comtag:blogger.com,1999:blog-4227147056022328879.post-86510544818393528402014-04-01T22:09:26.409+01:002014-04-01T22:09:26.409+01:00I like the 4th combo, with that muted copper....
...I like the 4th combo, with that muted copper....<br /><br />In terms of different woods for different objects, you should definitely research lots and lots of wood samples, so you can get different colours and different grains etc.<br /><br />http://luxurywoodworking.com/wp-content/uploads/2013/02/woodsamples.jpgtutorphilhttps://www.blogger.com/profile/11842833126210822641noreply@blogger.com